Marxism began with Karl
Marx, the nineteenth-century German philosopher best known for Das Kapital
(1867; Capital), the seminal work of the communist movement. Marx was
also the first Marxist literary critic, writing critical essays in the 1830s on
such writers as Johann Wolfgang von Goethe and William Shakespeare. Even after
Marx met Friedrich Engels in 1843 and began collaborating on overtly political
works such as The German Ideology (1846) and The Communist Manifesto
(1848), he maintained a keen interest in literature. In The German Ideology,
Marx and Engels discuss the relationship between the arts, politics, and basic
economic reality in terms of a general social theory. Economics, they argue,
provides the base, or infrastructure, of society, from which a superstructure
consisting of law, politics, philosophy, religion, and art emerges.
The revolution anticipated
by Marx and Engels did not occur in their century, let alone in their lifetime.
When it did occur, in 1917, it did so in a place unimagined by either theorist:
Russia, a country long ruled by despotic czars but also enlightened by the
works of powerful novelists and playwrights including Anton Chekhov, Alexander
Pushkin, Leo Tolstoy, and Fyodor Dostoyevsky. Russia produced revolutionaries
like Vladimir Lenin, who shared not only Marx's interest in literature but also
his belief in its ultimate importance. Leon Trotsky, Lenin's comrade in
revolution, took a strong interest in literary matters as well, publishing Literature
and Revolution (1924), which is still viewed as a classic of Marxist
literary criticism.
Karl Marx (1818-1883) was primarily a theorist and historian (less the evil pinko commie demon that McCarthyism fretted about). After examining social organization in a scientific way (thereby creating a methodology for social science: political science), he perceived human history to have consisted of a series of struggles between classes--between the oppressed and the oppressing. Based on the theories of Karl Marx (and so influenced by philosopher Georg Wilhelm Friedrich Hegel), this school concerns itself with class differences, economic and otherwise, as well as the implications and complications of the capitalist system: "Marxism attempts to reveal the ways in which our socioeconomic system is the ultimate source of our experience" (Tyson 277).
It is through the theories of class struggle, politics and economics that
Marxist literary criticism emerged. The thought behind Marxist Criticism is
that works of literature are mere products of history that can be analyzed by
looking at the social and material conditions in which they were constructed.
Marx’s Capital states that 'the mode of production of material life
determines altogether the social, political, and intellectual life process. It
is not the consciousness of men that determines their being, but on the
contrary their social being, that determines their consciousness.' Put simply,
the social situation of the author determines the types of characters that will
develop, the political ideas displayed and the economical statements developed
in the text. Although Marx and Friedrich Engels detailed theories of Socialism
in the mid-nineteenth century, it was not until the 1920s that Marxist Literary
Theory was systematized. The greatest impetus for this standardization came
after the October Revolution of 1917 in Russia. The event instigated a change in belief around
socialist ideals in government and society. While these ideals developed, socialist realism was accepted as the highest form of literature
– a theory based on an art movement that depicted and glorified the
proletariat’s struggle towards societal progress. These ideas guided both
literary creation and official literary criticism in Russia, where works
focused on the lives of the different classes. In the years since then, the
Russian beliefs regarding literary theory have been modified to acknowledge
that literary creation is a result of both subjective inspiration and the objective
influence of the writer's surroundings. This system of belief relies on the
social classes as well as the economic and political development of society.
According to Marxists, and to other scholars in fact,
literature reflects those social institutions out of which it emerges and is
itself a social institution with a particular ideological function. Literature
reflects class struggle and materialism: think how often the quest for wealth
traditionally defines characters. Marxist criticism is a type of criticism in
which literary works are viewed as the product of work and whose practitioners
emphasize the role of class and ideology as they reflect, propagate, and even
challenge the prevailing social order. Rather than viewing texts as
repositories for hidden meanings, Marxist critics view texts as material
products to be understood in broadly historical terms. In short, literary works
are viewed as a product of work (and hence of the realm of production and
consumption we call economics). So Marxists generally view literature "not
as works created in accordance with timeless artistic criteria, but as
'products' of the economic and ideological determinants specific to that
era" (Abrams 149). Literature reflects an author's own class or analysis
of class relations, however piercing or shallow that analysis may be.
The Marxist critic simply is a careful reader or
viewer who keeps in mind issues of power and money, and any of the following
kinds of questions:
- What role does class play in the work; what
is the author's analysis of class relations?
- How do characters overcome oppression?
- In what ways does the work serve as
propaganda for the status quo; or does it try to undermine it?
- What does the work say about
oppression; or are social conflicts ignored or blamed elsewhere?
- Does the work propose some form of utopian vision as a solution to the problems encountered in the work?
The Marxist school follows
a process of thinking called the material dialectic. This belief system
maintains that "...what drives historical change are the material
realities of the economic base of society, rather than the ideological
superstructure of politics, law, philosophy, religion, and art that is built
upon that economic base" (Richter 1088). The continuing conflict between the
classes will lead to upheaval and revolution by oppressed peoples and form the
groundwork for a new order of society and economics where capitalism is
abolished. According to Marx, the revolution will be led by the working class
(others think peasants will lead the uprising) under the guidance of
intellectuals. Once the elite and middle class are overthrown, the
intellectuals will compose an equal society where everyone owns everything
(socialism - not to be confused with Soviet or Maoist Communism).
In the twentieth century, many of the
foremost writers of Marxist theory have also been literary critics,
including Georg Lukács, Leon Trotsky, Franz Mehring, Raymond Williams, and Fredric Jameson. The English literary critic
and cultural theorist Terry Eagleton defines Marxist criticism this
way:
"Marxist criticism is not merely a
'sociology of literature', concerned with how novels get published and whether
they mention the working class. Its aim is to explain the literary work
more fully; and this means a sensitive attention to its forms, styles and
meanings. But it also means grasping those forms, styles and meanings as the
product of a particular history."
The simplest goals of Marxist literary
criticism can include an assessment of the political "tendency" of a
literary work, determining whether its social content or its literary form are
"progressive"; however, this is by no means the only or the necessary
goal. From Walter Benjamin to Fredric Jameson, Marxist literary critics have also been concerned with applying
lessons drawn from the realm of aesthetics
to the realm of politics, as originated in the Frankfurt
School's critical theory.
Marxist Concepts
Certain concepts
are keys to an understanding of Marxism, a political theory that has shaped
world politics for over 150 years. Marxism believes that capitalism can only thrive on the exploitation of
the working class. Marxism believes that there was a real contradiction between human
nature and the way that we must work in a capitalist society. Marxism has a dialectic approach to life in that everything has two
sides.Marxism believes that capitalism is not only an economic system but is
also a political system.
·
Marxism believes that economic conflict produces class (rich, middle and
poor) and inherently class produces conflict.
·
A Marxist analysis called ‘Polarization of the Classes’ describes the
historical process of the class structure becoming increasingly polarized –
pushed to two ends with noting in the middle. It says that soon classes will
disappear and be absorbed either into the bourgeoisie or the proletariat.
·
Capitalism largely shapes the educational system, without the education
system the economy would become a massive failure as without education we are
without jobs and employment which is what keeps society moving. Education helps
to maintain the bourgeoisie and the proletariat so that there can workers
producing goods and services and others benefiting from it. Schools transmit an
ideology which states that capitalism is just and reasonable. Ruling class
project their view of the world which becomes the consensus view (hegemony).
·
Neo-Marxism is based on ideas initially projected by Karl Marx. Marx
believed that economic power led to political power and that this is the key to
understanding societies. Neo-Marxists believe the economic system creates a
wealthy class of owners and a poor class of workers. They also believe that
certain social institutions such as churches, prisons and schools have been
created to maintain the division between the powerful and the powerless.
Social classes
The identity of a social class derives
from its relationship to the means of production; Marx describes the social
classes in capitalist societies:
1.
Proletariat: "the class of modern wage
laborers who, having no means of production of their own, are reduced to
selling their labor power in order to live". As Andrei Platonov expressed
"The working class is my home country and my future is linked with the
proletariat." The capitalist mode of production establishes the conditions
enabling the bourgeoisie to exploit the proletariat because the workers' labor
generates a surplus value (the difference between the value produced and the
value received by a laborers) greater than the workers' wages.
2.
Bourgeoisie: those who "own the means of
production" and buy labor power from the proletariat, thus exploiting the
proletariat; they subdivide as bourgeoisie and the petit bourgeoisie.
3.
Petit bourgeoisie are those who work and can afford to
buy little labor power i.e. small business owners, peasant landlords, trade
workers et al. Marxism predicts that the continual reinvention of the means of
production eventually would destroy the petit bourgeoisie, degrading them from
the middle class to the proletariat.
4.
Lumpenproletariat: The outcasts of society such as
criminals, vagabonds, beggars, prostitutes, et al., who have no stake in the
economy and no mind of their own and so are decoyed by every bidder.
5.
Landlords: a historically important social class
who retain some wealth and power.
6.
Peasantry and farmers: a scattered class incapable of
organizing and effecting socio-economic change, most of whom would enter the
proletariat and some become landlords.
Another concept
which comes from the Marists is Alienation.
Alienation is the estrangement of people from their humanity (German:
Gattungswesen, "species-essence", "species-being"), which
is a systematic result of capitalism. Under capitalism, the fruits of
production belong to the employers, who expropriate the surplus created by
others, and so generate alienated laborers. In Marx's view, alienation is an
objective characterization of the worker's situation in capitalism – his or her
self-awareness of this condition is not prerequisite.
The Marxist Perspective of Literary Analysis
According to Marxists, and to other
scholars in fact, literature reflects those social institutions out of which it
emerges and is itself a social institution with a particular ideological
function. Literature reflects class struggle and materialism: think how often
the quest for wealth traditionally defines characters. So Marxists generally
view literature "not as works created in accordance with timeless artistic
criteria, but as 'products' of the economic and ideological determinants
specific to that era" (Abrams 149).
The Marxist perspective is the study of
the struggle between the upper, lower, and middle class. The basis of this
perspective is economics. Marx found that economic was the driving force behind
society. Often, the quest for wealth defines character. Marxist looks for
oppression of a lower class by an upper class. They examine how people are made
into commodities to make money off of. They examine the economics featured in
the text. Marxist also examines what social classes are featured in the text.
APPLYING THE MARXIST PERSPECTIVE
Asking questions is a good way to apply
the Marxist perspective to a text.
a)
What economic or social issues appear in the course of the work, and
what are the effects of these issues on the characters?
b)
To what extent are the character's lives determined by social,
political, and economic forces? To what extent are they aware of these forces?
c)
What are the author's opinions about class relations?
d)
What ways does the work serve as propaganda for, or against, the status
quo?
e)
What does the book say about oppression?
f)
Does the book propose some form of Utopian vision as a solution to the
problems presented?
g)
How does the lower class try to move up the system?
h)
How does the upper class try to keep their position?
i)
How did the author's life affect their views of politics, economics, or
society?
j)
How does the culture of the time when the book was written affect how
political, economic, and social forces were portrayed?
